Growing up in the ’80s, Nanette
Burstein bore witness to a new wave of teen comedies that made light of
adolescent angst without trivializing it, movies that seemed to speak the
language of their audience in honest, sympathetic terms. Yet as much as she could
appreciate the storytelling of directors like Cameron Crowe and John Hughes,
whose sometimes tortured high-school experiences informed two of the era’s most
iconic films – Fast Times at Ridgemont High and The Breakfast Club – Burstein envisioned something even more authentic.
“I grew up watching those films,
and they had a profound affect on me,” says Burstein, 38, whose own high-school
years in Buffalo, NY, were clouded by uncertainty over her future and the
constant struggle to forge an identity without yielding to pressure from her
peers and parents. “I could relate to the portrayal of adolescence and all its
challenges. For the last fifteen years, I have wanted to explore those same
themes in a nonfiction film, but with all the complexities and depth of real
people that are often lacking in fictional movies.”
For her new documentary American
Teen, which follows a tumultuous year in
the lives of five Indiana seniors preparing for a future outside the
increasingly confining world of Warsaw Community High, Burstein created a
Breakfast Club of her own, assembling a cast of real-life students who seem to
invite all the typical labels: The Jock, the Rebel, the Princess, the
Heartthrob and the Geek.
For Burstein, who determined that
her film should be set in a small, single-school town where “it’s that much
harder for kids to escape the social structure,” the biggest challenge in
finding the reality behind those archetypes lay in overcoming the wariness of
her subjects: self-described nerd Jake Tusing; artsy outsider Hannah Bailey,
who dreams of escaping to San Francisco; basketball star Colin Clemens;
popularity queen Megan Krizmanich; and boyishly handsome Mitch Reinholt who,
during one of the film’s most uncomfortable moments, breaks off a burgeoning
romance via text-message.
“Teenagers are very secretive,
because most adults disapprove of their lifestyles,” says Burstein, who
persuaded her cast never to view her as an authority figure. “They constantly
create drama for themselves, so performing for the camera wasn’t an issue. The
real issue was getting them to be natural, to trust me. It took a couple
months, but we developed strong relationships, and they learned to believe in
what I was trying to do.
“There were times when certain
people didn’t feel like being filmed, and I didn’t want to ever expose them in
damaging ways. But I always wanted to show their complicatedness and humanity.”
For Krizmanich, who initially
wanted nothing to do with the project during her final year at Warsaw – she’s
now a pre-med student at her father’s alma mater, Notre Dame – it was
Burstein’s honesty about her intentions and her unwavering persistence,
particularly with Krizmanich’s parents, that convinced her to give American
Teen a chance. Tusing and Clemens,
however, say their decision was made simpler still by one inescapable factor:
boredom.
“There’s really not a lot to do in
Warsaw,” Tusing says in his wry monotone. “I had nothing better to do, and
there was nothing to look forward to, so I thought the movie might be a fun
distraction for a couple hours. It turned out to be a bigger commitment than
that, but it was a great experience. I wouldn’t change a thing.”
American Teen is the first film to have its own Facebook
page. For more information on Nanette Burstein and the cast of her latest
documentary, visit http://www.facebook.com/americanteen.